On Friday, July 3rd, I invite you to a unique place in Gdańsk: the Romanesque Cellar, a branch of the Archaeological Museum in Gdańsk (pl. Dominikański 1, 80-844 Gdańsk). From 10 a.m. to 5 p.m., you'll be able to immerse yourself in the sounds of my audio installation, Liuto fantasma, which will play throughout the day, creating a unique atmosphere with this unique interior (more information about the installation itself below). On the same day, at 7 p.m., I invite you to the Cellar for my intimate, solo electroacoustic concert. Visiting the Romanesque Cellar (and the installation's presentation) will continue as usual during opening hours – just a reminder that you can also enter it with your Gdańsk Resident Card. Both events will be part of this year's CAPPELLA ANGELICA period instruments festival: https://www.ca2026.pl/ - you can also find a link to book my concert here (as well as other festival concerts): https://ekobilet.pl/fundacja-silva-rerum

This year, I'll have the pleasure of inaugurating this incredibly interesting festival, and don't be fooled by the "historical instruments" hype, as history and the present will intertwine throughout – interiors and instruments, including modern ones, and technologies straight out of the 21st century. It's worth making time for all the events; you can find the full program on the festival website.

The festival is made possible thanks to the financial support of the City of Gdańsk / City of Gdańsk

Organizer:  Silva Rerum arte & fund

Curator: Maja Miro

Liuto fantasma is an electroacoustic audio installation inspired by the figure of Diomedes Cato. Its primary source material consists of lute recordings subjected to both subtle transformations and radical processes that often completely obscure their original identity.

The resulting sonic landscape is dreamlike and dark, evoking a kind of musical summoning of spirits – appearing as distant echoes, fleeting sound masses, and structures emerging from silence. Through the techniques and language of electroacoustic music, the space of the Romanesque Cellar becomes immersed in a constantly evolving acoustic environment, where sounds seem to arrive from different directions and distances.